We don't have an overview translated in English. Help us expand our database by adding one.

This film is part of the Structural/Materialist movement, formalized from the 1970s onward, by members of the London Film-Makers' Cooperative working to deconstruct the many aspects of the cinematic illusion. By pasting "Letratone" screentone directly onto the image and sound parts of a 16mm film strip, the image is read as a sound at the same time as it is seen on the screen. The filmmaker intends to dethrone the primacy of sight in cinema and to establish a kind of audiovisual parity. Her fortuitous discovery that one of the frames produces the middle C note during projection led her to compose the film as a musical piece.

This film is part of the Structural/Materialist movement, formalized from the 1970s onward, by members of the London Film-Makers' Cooperative working to deconstruct the many aspects of the cinematic illusion. By pasting "Letratone" screentone directly onto the image and sound parts of a 16mm film strip, the image is read as a sound at the same time as it is seen on the screen. The filmmaker intends to dethrone the primacy of sight in cinema and to establish a kind of audiovisual parity. Her fortuitous discovery that one of the frames produces the middle C note during projection led her to compose the film as a musical piece.

Anna is a young journalist with progressive ideas. Lophilia is a painter who impresses and challenges with her heretical lifestyle and art. The chance meeting of the two women will soon develop into an intense and deep relationship with unexpected revelations. The experience of Anna’s acquaintance with Lophilia, will determine her later life.

A brilliant, principled mercenary with a traumatic past works with an insider to steal a valued asset from Peredor Corporation called “the sphere”. The C & Earth corporation, vying for global dominance, seeks to find a solution to an otherworldly technology via a scientist’s project. Meanwhile, a financial analyst, who despises his job at the powerful investment firm Mutual One, finds himself caught between deadly corporate rivals, financial fraud, and technological espionage, and is ultimately forced to run from a psychopathic military contractor.

Heinz Gödicke is the chief commissioner of the People's Police in the small town of Eberswalde in Brandenburg. Gödicke is called when two bestial murdered children are found in the forest. The investigator tries to get involved in the perpetrators - a rarely used method at the People's Police - and the perpetrator so on the track. The Stasi-Major Witt is no friend of this procedure and leaves the commissioner only reluctantly free hand in the investigation. The matter does not go to the authorities fast enough and is then simply put to the files. When another murder occurs, it becomes clear that Gödicke was much closer to the enlightenment of the act than everyone thought.

Chief Inspector Schaller and his team solve the most unusual cases in beautiful Munich with wit and charm.

In the castle park of Ludwigslust lies a dead woman. Investigators encounter a wall of silence. Everyone knew the dead "Lulu", many have a motive, everyone is afraid. But from what? Sophia Eichstätt, analyst at the LKA Kiel, investigates in the case, which assumes ever larger dimensions. Who is the perpetrator, who is the victim? Sophia gets caught between the fronts and has to decide which side she's on. It is dangerous on both sides.

暂无英文版的简介，请添加内容帮助我们完善数据库。

Alles außer Mord was a German crime television series which aired on the TV station ProSieben between 1993 and 1995. 14 episodes were produced. The series features various criminal cases of determined private investigator Uli Spruce, who tells his clients: "I do everything - except murder".